16.05.09
Prema talks about In Fusion
Continued (Pg. 4) – I found The Cutting Room online (definitely a pattern emerging here!) and got in touch with
them. The guys there were fantastic and we established an immediate rapport. Patrick Ermlich (studio
manager) and his superb team made us feel so welcome and promptly a part of the family. They bent over
backwards to help us with this project and that in itself ensured a more relaxed and rewarding atmosphere in
the studio, easing what would have undoubtedly been a daunting process.
Once we got to the studio, we had two days to record Peter, Luis & Damian ‘live’,
tracking all 13 songs one after the other. It certainly was an ‘old school’ way of making
an album! With the masterful help of Anthony ‘Rocky’ Gallo (engineer) and also with
the band being such consummate pros, it was accomplished with ease and great
finesse. I sang and played guitar during these sessions and while laying down the final
track, said to myself, ‘Look at where you are and who you’re playing with!’ I could not
get the rapturous grin off my face. The music was electric and there was a genuine
sense of camaraderie which accentuated the fact that these extraordinary people had
come together to make great music and to have fun doing it; that was the key.
On day 3 Peter came in to record percussion for some of the songs, which was an
unexpected bonus. He also suggested that we get a percussionist for a few other
tracks, especially Mystical Rhythm (which being a reworking of the Tito Puente song,
warranted Timbales and Congas). So with the help of the always affable Eshy Gazit
(engineer) we contacted Bashiri Johnson. Now, this man is one of the most sought after
percussionists in the world and what he can do with a shaker defies belief! Not only that
but he is the sweetest soul and gave so much during his session, which came a few
days after the band’s ‘live’ recordings. Bashiri’s performance put the sparkle on Mystical
Rhythm by adding dynamics with his compelling percussive presence, giving the song
its salient energy. As we watched him record with all his ‘toys’ laid out on the floor, we were energised by his
playing; it was a truly rousing performance. He weaved in and out with breathtaking fluidity and yet
simultaneously kept immaculate time; adding his singular gleam to the music.